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The First Comic I’m Buying in Issues Since Forever

These days I usually wait for the collected editions, but I’m making an exception for Batwoman.

The series’ introductory issue #0 (likely because not everyone will have read the Detective Comics issues that feature her, at least until they’re collected like Batwoman: Elegy, which I highly, highly recommend ((Batwoman in a tux. Batwoman in a tux. Rawwr. Plus the story is awesome, the characters are awesome, the villain is awesome, and the backstory is awesome, and really, this title is just made of awesome topped with awesomesauce.)) ) is coming out in November.

Now, where’s my Khepri account?… Hm.

Day 24 with the Overherd; and She-Hulk

Apparently they make me feel secure enough to fall asleep in the middle of getting ready to turn off the lights. It seems to work best when there are two cows on either side (a large one, and a smaller one closer to me), apparently so I can unconsciously cuddle whichever one is closer during sleep.

I still wake up a little earlier than I have in the past (getting 6-7 hours of sleep rather than 8-10 hours sporadically), which is either good or bad. I don’t know if I’ve repaid all my sleept debt yet.

In the meantime, it’s Saturday. Unfortunately I’m still oncall and can’t really leave the house. Maybe I’ll just re-read comics for the rest of the day.

Currently I’m reading a comic I never though I’d read—I’m not too into superheroes—which is one of the more recent She-Hulk reboots.

She-Hulk: Single Green Female (volume 1) She-Hulk: Superhuman Law (volume 2)

In this one, she’s a lawyer for a branch of a law firm that deals in superhuman crimes and lawsuits! It’s very amusing, but I think it went off the rails after Single Green Female—which fortunately can be read as a stand-alone book. The second book, Superhuman Law, has some great moments, but afterwards I lost interest.

I suppose I’m the type of person who likes a dash of crazy in her cup of fiction. Even by the standards of the superhero genre.

Ada Lovelace Day: Dignifying Science

I’d completely forgotten about today because I’ve spent the last couple of weeks (and all of today) deep in the code involved in the current sprint at work. Which is to say, I’d forgotten about Ada Lovelace because I’m deep in the middle of what she would have loved to work on today. (And today was one of those rare days without meetings, too!)

But I do have a great comic to recommend to everybody: Dignifying Science: Stories About Women Scientists.

This is a collection of tales about some of the most important female figures in science. Too often, they aren’t covered by textbooks, except maybe for Madame Curie. Even Ada Lovelace was written out of my introductory computer science textbook, and that was (a) in the 90s and (b) in college.

So when I ran across this collection of stories in comic form, I was pleasantly surprised to learn about these women. The stories are told quite well, in the style of the previous book, Two-Fisted Science: Stories About Richard Feynman Physicists Scientists, with each story (written by Jim Ottaviani) drawn by a different artist. Actually, there’s more variety in Dignifying Science, because Two-Fisted Science was almost half Richard Feynman stories and just about all about physicists (and a little bit about mathematicians).

The women in Dignifying Science:

  • Hedy Lamarr, who is far more famous for her kiss than her patents. Yes. Real patents, back in the days when patents actually meant something. Most unhappy story of the lot. (Artist: Carla Speed McNeil)

  • Lise Meitner, a contemporary and actual colleague of Niels Bohr. (Artist: Jen Sorensen)

  • Rosalind Franklin, one of the three-way ties to discovering the structure of DNA, and virtually unrecognized as such. Her story is the longest in the book. (Artists: Stephanie Gladden, Donna Barr, Roberta Gregory, Linda Medey)

  • Barbara McClintock, biologist (YAY BIOLOGY) who discovered “jumping genes” and who also is just awesome. (Artist: Lea Hernandez)

  • Biruté Galdikas, biologist (YAY BIOLOGY AGAIN) who studied orangutans in the wild—and longer than anyone else has. (Artist: Anne Timmons)

  • Marie Curie, you all know who she is. I hope. Her story bookends the collection, as prologue and epilogue. (Artist: Marie Severin)

Front cover by Ramona Fradon, back cover by Mary Fleener. And yes, all mathematicians look like that inside their heads (computer scientists only a little, because we’re quite more related to mathematicians rather than physicists or engineers).

There are plenty of notes in the back for extra context on a panel-by-panel basis as well, and they’re actually interesting reading that supplement the comics well.

I strongly recommend this comic on any day, and especially on Ada Lovelace Day.

Available from: Amazon.comBarnes & NoblePowell’s

From the eBookery: The Annotated Watchmen

Nothing ever ends.

Right now interest (both mine and the Internet in general) has been stirred up again by the new movie coming out, which looks like it’ll be both a blast and taking after the mind and heart of the original work, a rarity in any movie adaptation. Which brings me to the newest addition to the S∂ eBookery.

A long time ago (which by my counting is only maybe 7 years ago) I read Alan Moore’s Watchmen with skepticism, because I could never get into the superhero genre. Probably for the same reason that I can’t get into soap operas; back then, it was the case that, generally, the best of the superhero comics consisted of Dramah!, while the worst was—well, the worst.

And Watchmen was a bit old by that time. Yet it was recommended by Warren Ellis at the time, so surely it couldn’t be bad.

Nevertheless.

Well. My skepticism evaporated long before the end of issue #1, aka chapter I, aka 11 minutes to midnight. Alan Moore is really something else—he’s a great writer, and Watchmen is an astounding marvel of storytelling. This is the storytelling you get when you have a writer steeped in non-genre (or multi-genre) knowledge, who can pull together references both within and without the plot and characters with the skill of a master weaver. If you have any aspirations towards being a storyteller yourself, you’ll hear the subtle clack-clack of the loom as the pattern weaves itself before your eyes. I remarked once, a long time ago, that Watchmen‘s plot is “crystalline”—that is, it has a complicated structure that forms an intricate pattern, and every time you turn it, you see another facet.

Basically, Alan Moore is the Gene Wolfe of comics. Which means that it takes a certain amount of attention to get all of what’s going on, and a certain amount of knowledge of literature, popular music, art, and the like. For Gene Wolfe, you have help in the form of WolfeWiki to assist with the massive interweaving.

For Alan Moore, there exists multiple annotations and commentary on his works, compiled by readers who often work together as a sort of pop-culture-literary-allusion-mythopoeic-referencing hive mind. (And sometimes there’s one guy who happens to, for instance, have deep and intimate knowledge of Victorian era pulp novels and thus is the only one who can effectively annotate The League of Extraordinary Gentleman. I will never figure out how Alan Moore keeps all that in his head.)

For Watchmen, the best and most complete of these is The Annotated Watchmen by Doug Atkinson. He compiled it in the olden days, when Usenet actually meant something. There are multiple websites where this information has been preserved; I pulled mine from Enjolrasworld.com, a part of the web devoted to comic book/graphic novel annotations. (And which quaintly remarks for downloading the single-file version of the full annotations, “Beware, for those of you on a 28.8 modem, it will take nearly 2 minutes to load.”)

I prefer to do my intense reading away from the computer, so I took the time to compile the annotations into a Kindle-digestible Mobipocket eBook, also edible to those of you with Mobipocket-compatible e-readers and software.

Downloads for Annotated Watchmen

Screenshots under the cut:

Read the rest of this entry

My Favorite Quote of the Year: Larry Young

From a Whitechapel discussion of Brian Wood’s interview at ComicsReporter.com:

John Smith Dec 5th 2007
(100.13)
 

@ Larry– So really, Brian’s a good example of a right way to do it, isn’t he? Have a day job, work on the comics you believe in. Be talented. Put out good material, make some chump change. Get noticed, do your own thing in tandem with the machine, make actual dollars.

Larry Young Dec 6th 2007
(100.14)
 

Well, sure. Isn’t that how most “successful” folks do it, in any discipline or field of endeavor? Work really hard at honing your craft, develop a small but loyal following, reach tipping point, be “discovered,” enjoy ten-year path of becoming an overnight sensation, die rich.

That’s the basic career path of Isaac Newton, Picasso, Sandy Koufax, Ernest Hemingway, Kate Beckinsale, Sumner Redstone, and everyone else. Only the details are different.

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