Paul Haggis: The Reality of Reality and Animation

At United Hollywood:

The problem is that the other side’s spin is working and some writers are actually buying it. Some writers are saying we ought to take these two issues, animation and reality, off the table.

Now, the last time we were told to take something off in order to make progress, we did and absolutely nothing happened. We took off DVDs – which was a very, very painful give – and we got nothing for it. So we should trust these people now?

But let’s say we did trust them. Let’s say we didn’t mind being bullied. Well, there’s one thing you should know because we know it for sure: Their ultimatum wasn’t about reality and animation. It was an insincere attempt to get us to give away the whole negotiation.

Anyone remember the 88 strike? If you weren’t there, trust me, it wasn’t pretty. Management’s friends, lawyers and managers and agents and folks who surely had only our best interest at heart convinced television writers that they shouldn’t fight for revenue for this new fangled video tape thing because it was going to amount to pennies, and anyway, their TV shows were never going to end up on video tape. And so the guild cracked in two, we gave up a fair video and DVD formula we had hard won, and in so doing gave away millions and millions of dollars – screen and TV writers included.


2 thoughts on “Paul Haggis: The Reality of Reality and Animation

  1. It’s what the guys on the other side of the table want. Right now another concern is the workings between the WGA, the DGA, and the SAG; the DGA are going to start negotiations soon, and are likely to get a good deal on the table. Whether or not it’s good for either WGA or SAG, it’s hard to say.People forget that the members of WGA, SAG, and DGA are, for the most part, not rich people. The strike hurts them as individuals more than it hurts the corporations.

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