Klutz Review: My Style Studio

So. I ended up buying My Style Studio on a whim.

As it turns out, the whole thing has become a sort of meditation tool: it’s calming to spend a little time in a world where the most concerning thing to worry about is color combinations.

It all ended up being way, way neater than I expected, despite its unpresuming appearance.

What It Looks Like In Person

What It Looks Like In Person

Basically, it’s a platform with a white box attached—containing colored pencils, sharpener, eraser, and inking marker in Klutz’s usual “everything you need is right here!” wonderful way—and a book with folder pockets for clings, patterns, figure sheet, and tracing paper.

But it turns out to be much, much more than that, as Klutz usually does.

Inside the Attached Book

Inside the Attached Book

For one thing, the book is full of tips and tricks! Such as:

  • Color combinations for different seasons with examples

  • Layering and using colored pencils to get more colors than just eight

  • Easy step-by-step instructions on how to use My Style Studio effectively

  • Examples of techniques to make the clings and pattern plates very flexible in design

  • How to easily make more tracing paper sheets that fit the white work area. As it turns out, they spaced the pegs intentionally so that a standard three-hole punch can be used!

  • And more, some of which I cover in a little bit…

Just some of the tracings in the book you can add in addition to the clings!

Just some of the tracings in the book you can add in addition to the clings!

The book also contains extras for tracing earrings, buttons, bows, accessories; even patterns you can trace onto clothing (different from the pattern plates; in fact, it’s nice to combine the two). Combined with the clings—which include hair and faces in addition to the clothing—you don’t need to free-draw anything, although you can definitely do so if you wish.

Advice on skin tones, very neat

Advice on skin tones, very neat

One touch I found very nice is advice on how to do different realistic skin tones. This was never particularly covered in any of the old coloring project books I used to have; with this advice, you don’t need to buy skin tone pencils.

Oh: and just about at the beginning of the book, they mention that the basic model shape is not realistic, but an ideal fashion shape that doesn’t appear in the real world. Which is an unusual nod to body image when talking about fashion toys and such. Also, as you’ll see, the waist is not pencil-thin and the boobs are not pointy melons. ((I know gals with large boobs. But they aren’t rounded cones! I never understood Barbie body design. Apparently you’d have to remove ribs in order to ever get as thin in the waist as a Barbie.)) This is very nice.

And now for concrete examples!

Design #5 in cling stage

Design #5 in cling stage

Design #5 in Cling Stage

You can put together clings in many different ways; it’s a far more flexible arrangement than Fashion Plates. Other accessories are traced later in the book. You can see that the hair and the face are also clings.

After arranging the clings, you can turn the plastic sheet with the base model design over for a smooth tracing surface.

This is today’s arrangement. Or possibly tomorrow’s. It depends on when I’ll get around to tracing it.

Clings used: puff-sleeve top, pleated skirt, tall boots in addition to hair and face

Unintentional Zombie: Design #1

Unintentional Zombie:
Design #1

Design #1

My first design; I did this while waiting for a sleeping pill to take effect, and it was… highly effective by this point. The pill, not the design, of course. I suppose this is the equivalent of having a few drinks before doing a tracing, or possibly being five with ADD.

This is where I found out that not including skin tone leads to… strange pictures. It would have been better, I think, if I didn’t fill in the face.

Clings used: camisole, A-line skirt, ballet flats ((Most of the clings do have names, so it’s educational!)) in addition to face and hair

Pattern plates used: spirals and woven

Tracings from book: pendant necklace

Unnamed: Design #2

Unnamed: Design #2

Design #2

Another sleeping pill/drunken design, by this time I was pretty much falling asleep, but wanted to keep going anyways. Kind of embarrassing, but it gets much better in the next two…

Clings used: crisscross top, shorts, flip-flops ((As it turns out, I obviously did not hate my pretend model enough.)) in addition to face and hair

Pattern plates used: woven, dots, stripes ((Yes, I believe sandals must be worn with socks. I know, it’s kind of like being a Jehovah’s Witness….))

Tracings used: belt ((There are three belts in the book.)), pockets ((There are multiple styles of pockets.)), shoulder bag ((There is a nice variety of purses and bags, in case your model wants to have a picnic somewhere or work on her laptop or something.))

Harriet Vane at the Beach: Design #3

Harriet Vane at the Beach: Design #3

Design #3

I’m not sure why, but the basic design reminded me of Harriet at the beach in Have His Carcasse. I gave her a big bag to carry the clues that she and Lord Peter Wimsey found. This is the first figure I seriously used skin tone with, and also not drunk or sleeping-pilled at all.

Clings used: keyhole top without the keyhole, flippy skirt, strappy sandals in addition to hair and face

Pattern plates used: woven (crossed against itself), squares (using the plaid recipe from the book), stripes

Tracings used: Hat, bandana, belt, bag, circles art, some other kind of line art for the top laid at angles

The hair is yellow with red overlaid a few times. It turned out nice.

And yes, those are socks.

Autumn Waterfall: Design #4

Autumn Waterfall: Design #4

Design #4

At first I wanted to make her white and blond, but then I looked at the skin tones again and decided to do something different. If all models were white and blond with blue eyes the fashion world would get kinda ((Firefox believes that “kinda” is a valid word, by the way.)) boring.

Her skin is a light-pressure red layered with a light-pressure brown, her hair is medium-pressure blue with medium-strong-pressure black overlaid.

Clings used: in addition to hair and face, ruffled demi-top on top of a tunic, then tracing down the outside legs until a usually short ruffled skirt, but I decided to make it the ending ruffles of a longer dress. I skipped a lot of lines to make it all one dress. And then added pumps.

Tracings used: triangle border for sleeves, and then the bendy hearts, which is actually presented as a regular pattern in the book, but I traced only a few leaves and laid the paper over the pattern in different directions for a falling leaves look.

Sort of complicated, and includes shading of the eyes and a shadow on the neck, but it wasn’t hard to get something that looked good to decent.

In the end…

This all does take much longer than fashion plates did, but you get a much better design and much more flexibility and better line art and… just about better everything. And it’s quite a meditative affair.

I may even go out and buy a hardcover unlined notebook to mount the pages in.

You know, I think emerald green of some kind is the way to go in Design #5….

5 thoughts on “Klutz Review: My Style Studio

  1. Thank you for this review. I was debating whether or not to buy this for my daughter (and maybe see if I’d find it fun to use myself). Between your review of it here, and the Klutz video of it in action, I’ve decided to purchase this for my daughter and/or myself. :)

  2. I LOVE this! I got it a while before I read this reveiw, and I have to say that its much better than sliced bread. I’ve made about 14 dresses so far, (yes, olny dresses) and still going strong.

    But honestly, I don’t know if it was totally worth $24. You could make a similar kit at home, but thats just me, because I like to freedraw most of the time. For me, it was kind of like just buying the model for $24. And the pen.

    And because of the clings, you can’t make anything very creative unless you freedraw.

  3. Hi Evelyn,

    I don’t know if it’s that inflexible. I’ve messed around with using clings combined with free-drawing small elements and tracing others, often cropping, extending, changing how things open, merging different clothing clings, using different “fabrics”, etc. No need to be limited to exactly that length of coat with exactly that opening.

    As a guide for someone who normally sucks at drawing and who doesn’t really have time to practice it (I got other hobbies and jobs to worry about), having this is very nice. :) I can do collars by myself, but I definitely can’t do even just hands.

  4. OMG i have this and i have done a video review and here it is:

    pls check it out!!! oh and i will send another video here pls check tht one out too its a competition video bout my style studio :)

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